@article{Raynaud_2021, title={ The triumphal entry into Jerusalem images of the welcome (occursus) from the middle of the 14th century to the last third of the 15th century. Multiple readings}, url={https://revistas.ucv.es/specula/index.php/specula/article/view/982}, abstractNote={<p style="text-align: justify;">The Entry into Jerusalem has enjoyed a stable composition in artistic representations since the early Christian period. Like them, the images in the French liturgical books of the last centuries of the Middle Ages, the main source studied here, alongside works of spirituality and moral theology, retain the occursus, the welcome. There is little change in the elements presented. Among the variants, those affecting the description of the welcoming group (Hierosolomite Jews, visitor Jews and Gentiles according to the texts) have been privileged over that of Jesus and the apostles. The diversity of treatment observed is not only due to aesthetic considerations, but attests to multiple readings of an exceptional moment.</p>}, number={2}, journal={Specula Revista de Humanidades y Espiritualidad}, author={Raynaud, Christiane}, year={2021}, month={Nov.}, pages={157–190} }